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Anastacia newkirk dating

Omar possesses an incomparable capacity to bring the most diverse traditions into fruitful juxtaposition, moving through and far beyond his influences, from the folkloric to the classical, while sustaining a singular and joyous cosmopolitan voice.

During the residency period, Omar used the state-of-the art facilities at EMPAC, including a magnificent Yamaha CFIII concert grand piano, to record solo piano. And a passionate desperation in the finale, as in records conceived the old way, like a narrative, followed by the final rest, grace in a religious sense, like an overflowing energy which at the end of the journey becomes pure togetherness. This live recording anticipates the release in October 2007 of Omar Sosa’s next studio album, entitled “Afreecanos”. Julio Barreto toured and recorded with Gonzalo Rubalcaba from 1991 to 1998 in Trio and Quartet, and is featured on the Rubalcaba recordings “Suite 4 y20”, “Rapsodia”, “Diz”, “Imagine” and “Antiguo”. Barreto has also toured and recorded with Roy Hargrove, David Sanchez, Chucho Valdes, Steve Coleman, Ravi Coltrane, Chico Freeman, José Luis Quintana, and Miguel “Anga” Diaz. In addition to the electric bass, Childo Tomas sings in his native language Mozambican language of Ronga, and plays m’bira. The dance-jazz vibe of these remixes features Omar Sosa piano and marimba riffs, funky clarinet riffs, as well as new vocal and flute elements... Omar Sosa searches out new sounds for a music that is simultaneously his own, and part of an Afro-Cuban culture. Muevete en D () Recorded live at Radio Bremen, Germany, in November 2003, Aleatoric EFX is Omar Sosa’s fourth solo piano recording.

The resulting improvisations comprise Omar's sixth solo piano CD, , a very personal, intimate set of 16 impromptus - relaxed, introspective, infused with calm and tranquility. Mola Sylla sings in his native language of Wolof, and plays m’bira and xalam. all enhanced by the cutting edge approaches of our guest remixers 1. Mulatos is a fitting description for the kind of approach Omar is adopting - a mix of Cuban music that dances with rhythmic inspirations of Indian tabla, jazz drums, and studio mixing. The new CD combines Omar’s free, improvisatory approach to the piano, with his use of a number of electronic effects, also directed live from the piano during the performance.

pays tribute to the majestic figures of Afro-Cuban big-band jazz—Frank “Machito” Grillo, Chico O’Farrill, Cachao, Mario Bauzá, Dizzy Gillespie, and Chano Pozo—while also drawing inspiration from Cuban luminaries such as Armando de Sequeira Romeu, Peruchín, Pancho Quinto, Lázaro Ros, Lili Martínez, Benny Moré, Arsenio Rodríguez, Rubén González, Frank Emilio Flynn, Bebo Valdés, and a succeeding generation of artists including Chucho Valdés, Paquito D’Rivera, and the revolutionary This project grew from Omar’s conversation some years ago with Hamburg producer Stefan Gerdes of NDR, who facilitated the connection with Morelenbaum, a celebrated arranger known for his trailblazing work with Antonio Carlos Jobim, Caetano Veloso, Gilberto Gil, Gal Costa, Cesária Evora, and Mariza, among many others.

The NDR Bigband, under principal conductor and arranger Jörg Achim Keller, is an ensemble of consummate soloists whose talents have been highlighted through the work of such noted arrangers as Michael Gibbs, Steve Gray, and Colin Towns.

Given their respective touring and recording schedules, it took a year, but in July 2013 Omar and Seckou went into the Fattoria Musica recording studio in Osnabrück, Germany and laid down the core tracks for : in April 2013, Galician bagpiper-pianist-composer Cristina Pato invited Omar to Santiago de Compostela, where Pato hosts an annual residency frequented by associates of Yo-Yo Ma’s Silk Road Ensemble.

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is the new studio collaboration between 7-time GRAMMY-nominated pianist-composer-bandleader Omar Sosa and London-based Senegalese singer and kora master Seckou Keita. The project idea grew out of Sosa’s impromptu addition to a mid–2012 date with drummer Marque Gilmore at the CLF Art Café in London, in what was Sosa and Keita’s first musical encounter.Profoundly moved by the experience, Omar told Seckou he wanted to invite him to work together on a future recording project.

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Omar’s newest recording, ilé, marks a homecoming for the 7-time GRAMMY-nominated pianist and composer to the Latin Jazz influences of his formative years in late ‘80s and early ‘90s Havana. Recorded in Udine, Italy in May 2011, and produced by Paolo Fresu and Omar Sosa for Mr. The recording features a rarely heard combination of acoustic piano, Fender Rhodes electric piano, and various electronic effects and sampled sounds. “Changó En Esmeraldas” is an extended tribute to the deity of thunder and lightning, fire and moral retribution, and a reflection upon Sosa’s musical sojourn in the Afro-Ecuadorian community of Esmeraldas. If I ever play the same thing twice, I’ll stop making music. His air of authority, of wisdom, is born from immersion in the musics of the world and a desire to propagate his folk heritage. Featured on the recording are Cuban drummer Julio Barreto, Mozambican electric bassist Childo Tomas, Senegalese vocalist Mola Sylla, Cuban folkloric master Lázaro Galarraga, Cuban woodwind player Leandro Saint-Hill, French trumpet player Stéphane Belmondo, and French multi-instrumentalist Christophe Disco Minck.Omar is an artist who’s constantly seeking new combinations, and each of his projects is marked by a revelatory spirit of creative freedom.Rooted in Afro-Cuban spiritual and percussive traditions, and intimately versed in a range of contemporary world musics, Omar’s finely textured compositions present Morelenbaum with the foundation to summon forth an expansive palette of sounds, inspiring the NDR Bidband’s brilliant soloists, maximizing the ensemble’s sonic potential, and providing ample latitude for Sosa’s own luminous keyboard improvisations.Also included is a set of four atmospheric interludes, featuring traditional music samples combined with improvised piano and soprano saxophone accompaniment. That has been Omar Sosa’s response to our proposal: to revisit , by Miles Davis, from his own (quite exceptional) aesthetic assumptions. The 41st Voll-Damm Barcelona International Jazz Festival had hired drummer Jimmy Cobb – the only surviving member of the group’s original line-up who created that record – and a tribute band committed to revive, in concert, the memory of that iconic jazz piece. Omar Sosa joined him for a Duo performance in Cagliari on July 9th (concert number 26)! So too, it seems, was the poet and novelist Langston Hughes, a seminal voice in the Harlem Renaissance, whose reading of "The Struggle" was sampled then woven into the narrative. The ensemble fuses the folkloric with the contemporary, the tribal with the urban - all with a Latin jazz heart. (OTA1007) , we find "Gracias Señor" and "Para Dos Parados", both featuring poignant string arrangements, and the later featuring the exquisite vocal styling of María Márquez.Overall, the compositional focus of the project is on ensemble playing. But , rather than a museum piece, is a mysterious record with an intimacy to be disclosed very slowly, generation after generation, beyond the commonplaces of history books. His call for racial consciousness and self-determination (No man wanted to be a slave) is the literary counterweight to this musical oblation. Downbeat recently commented that “Sosa stokes the African and Cuban fires: Each burns distinctly from the other while illuminating the place between them. Finally, from the groundbreaking CD, has a remarkable unity and organic quality, allowing the listener to let go into a magical, dream-like state.presents a continuation of Cuban pianist-composer Omar Sosa’s collaboration with Hamburg’s NDR (North German Radio—Norddeutscher Rundfunk) Bigband and Brazilian cellist-composer-arranger Jaques Morelenbaum, whose inaugural effort can be heard on Omar Sosa-NDR Bigband CD Sosa, Morelenbaum, and the NDR Bigband extend their many influences in a contemporary contribution to the expansive universe of world jazz, where Sosa resides as a generous, abundant, and ecstatically inspired creative spirit.